ARIELLA STEINHORN
Ariella Steinhorn is a writer and former entrepreneur. She has built two ghostwriting and media relations companies focused on exposing power imbalances not picked up on by the mainstream media, called Superposition and Lioness. Ariella’s personal writing on relationships, power, love, and free speech have been published in the New York Times, Fortune, the Boston Globe, and Newsweek. Several essays she has ghostwritten breaking open news about workplace culture and power abuse have seen millions of views. "Lioness essays” became notorious among journalists as a significant source of untold information. Her storytelling practices have been profiled in the New York Times, Elle Magazine, and Bloomberg. Ariella has spoken at Harvard Business School about whistleblowing, and has given talks to journalism schools about the future of journalism and storytelling. She recently launched an initiative called Nonlinear Love, which invites stories from the public about unconventional love without prescribing rigid advice or judgment.
NON-LINEAR
Non-Linear tells the story of the author’s non-linear journey through her 20s, through several experiences with love and sex and a love-hate relationship with power. Each story takes us through the categories, tropes, and identities we as a society pigeonhole women into: the precocious little girl, the teenage whore, the muse, the woman who sleeps with her boss to get ahead, the mistress, the femme fatale, the enigma, the soft woman, the badass woman, the mother-to-be. In physics, there is this concept called superposition which very basically states that one thing can be in several states at the same time, depending on the perspective. This book will lead the reader to question their reality and biases, understanding alongside the author–as she seeks to understand herself–that she can be all of these stereotypes and also none of them, depending on the perspective. Can a woman reach an equilibrium where tapping into a more vulnerable place feels natural–and not a fatal move because she’s not playing the capitalism game, or a backwards step towards becoming a docile possession to a powerful man? In this desired equilibrium, with knowledge of the world and awareness of herself, perhaps she can free herself from the guilt or shame, and not spend so much time becoming rigid and unfeeling and unfeminine. Maybe her freedom can be the way to take back her power. Now that she understands the tides and has the energy to swim back to shore, she can relax a bit into the pull of the ocean’s inevitable currents. This is a nonlinear story about growing up from girl to woman. It’s also a story about that woman remembering herself as a little girl. It’s about accepting and breaking free of the identities thrust onto many young women who are coming of age, regardless of what they look like.
Contact - Zeynep Sen